All of us may be players on the world stage, nevertheless the question remains why we reveal the emotional responses to the happenings depicted in the fiction, whether in print or visual demonstration, just as in real life? Much like dreams our imaginations get presented to us over the mental screen as though we were watching television or movies. And just as in dreams the actual world becomes supplanted by the imagined virtual world although we are fully awake. That world still has great resemblance to the actual one and everything happening in it seems real due to something changing in our cognition faculty. However, the mechanism which triggers our emotional responses stays unchanged and consequently we react to this fiction in the same manner as in actual life.
Here we have some similarity with the digital reality of the contemporary computer technology, which is an artificial environment created by applications. It’s introduced to the viewer in such a manner in which the person temporarily suspends own opinion pattern and accepts it as a true atmosphere. In a way it is not different from the phenomenon of being hauled to the imagined universe of fiction, except that the computer doing the task is in the mind and we have no clue as to what is the software and who’s your programmer.
That brings us into the reason for psychological reaction itself. In regard to fiction the most frequent emotions are likes and dislikes that may turn into their stronger types of hate and love. In real life we love or hate a person because of some attachment through kinship, friendship, or through indirect knowledge of the individual. An individual cannot love or hate a person one does not know at all. Attachment can also be to other living beings, material things, and to fanciful things. We love or despise a story or even a notion. For an ordinary person it is impossible to live unattached to items on the planet. If a person is able to eliminate attachment, one joins the rank of educated souls that are indeed rare. We carry our ability and desire for affection into the imaginary world of fiction. We view the characters that we come to understand as the narrative progresses, shape our likes and dislikes, and respond in precisely the identical way as in real life except we cannot socialize together physically. But we do interact together in our minds and hearts from where the emotions come. These few considerations will make a difference in your information as they relate to helpful site. But is that all there is? Not by a long shot – you actually can expand your knowledge greatly, and we can help you. We believe you will find them to be beneficial in a lot of ways. Getting a high altitude overview will be of immense value to you. We are not done, and there are just a couple of very strong suggestions and tips for you.
The simple fact is that at a specific sense life itself is fiction. Like a story it’s a beginning, an end, and lot of things in between. We do not know who writes this fiction nor will ever understand. So we have an innate affinity with fiction and cannot completely detach ourselves from it. And perhaps that’s why, while reading or viewing fiction we get dropped subconsciously in the wonderland of creativity, but for that brief period we operate exactly in the same way as we want in the real world of our understanding. In that sense fiction is simply invented reality.
Theme is why fiction things, since it’s the quality that gives the narrative a universal appeal. Some say motif is what the story is all about, but that’s too ephemeral a definition, which might get confused with the idea or the storyline.
Theme enriches and inspires the reader while saying something profound about the human condition. Theme is the abstract concept behind the narrative forming the story’s heart and soul that the exposition, dialogue, and action reflect every opportunity they get.
Theme is not the characters or the storyline or the first idea that started the narrative. For example, a writer may begin with the concept of exploring family relationships between girls, but as his story progresses, his subject may appear as forgiveness and understanding between different generations of females. There are some topics on which it is very hard to write any kind of story.
Theme is indicated, occasionally without the author’s understanding of it at the start; however, more seasoned writers typically work on their theme harder than any other part of the narrative once they grab on to what it is they are writing about.
In non-fiction, the author is suggested to hone in to his theme and start referring to it right at the very first paragraph. In fiction, on the other hand, the motif generally flowers through the writing as the story progresses.